As a card-carrying member of the Hates the Term Renaissance club, a not uncommon position for late medievalists like myself who are inclined to resent the division of our time period into dark and golden ages, I was immediately intrigued by Ada Palmer’s reexamination of the term and its time. Inventing the Renaissance promised to deconstruct one of the most mythologized periods of European history, and one that I felt warranted some poking and prodding. Palmer’s book is not a hit piece against late medieval Italy, though. Instead, as all great deconstructions are, it is a combination love letter and deep analysis of a period whose complexities are often painted over by popular narratives that just want to talk about the pretty art and clever people. Further, Inventing the Renaissance performs the magisterial hat trick of being incredibly insightful while also remaining eminently approachable and casual as it dumps a mountain of scholarship on its reader – in the most loving way. It’s an incredibly impressive work, both of scholarship and popular history, and one absolutely worthy of the time its 700+ pages require.